@ ZWITSCHERMASCHINE
Eröffnung: Do 30.04.2015 – 19 Uhr
Ausstellung: 01.05. – 24.05.2015 – Do-So 15-19 Uhr
Mike Diana’s style is the one of most unforgettable in contemporary painting and drawing; the bright bold colours of western advertising are combined with rough black lines drawn with the audacity of a Japanese master to form the twisted characters that populate his world. Diana became known in the early nineties for his terrifying child-like drawings published in his Boiled Angel papers. Originally made privately on a Xerox machine and released in only sixty copies, these comics are now hunted by collectors ready to pay hundreds of dollars for only a few pages. These drawings have grown over two decades into an amazing body of work; the main theme of which is a cautionary one, a warning that the adult world is a sick and twisted place. Mike Diana never strived to be part of the wise and rational adult community. In fact, he felt that this world was far more perverted than what the conservative media generally regarded as being a moral failure. Mike Diana’s adults are the hypocritical sanguinary monster, while his children are the honest cruel adversary.
Diana’s work contains graphic and often shocking depictions of society’s most serious problems; child abuse, incest, rape, religious corruption and murder. In Diana’s universe the whole world is tragedy: Religion, family, childhood, friendship, school, adolescence, community, and injustice take centre stage. His work is characterized by his honest and unapologetically vulgar treatment of mainstream American culture and the underlying hypocrisies that exist in that contemporary society. His stories maintain at their core, an anti-moralistic and anti-religious edge using an unflinching visual violence. His blasphemy is so frank that it cannot be ignored. American police and courts certainly felt so as in 1994 Diana was thrown in jail for 4 days without bail, put on probation for 3 years, fined $3000, forbidden from contact with minors, ordered to do 1280 hours of community service whilst maintaining full time employment, and ordered at his own expense, to see a psychiatrist and take “moral” journalism courses.
This survey exhibition, covering more than two decades of Diana’s work, shows a magnified reflection of the society that deemed his artwork a crime.
Also available, to coincide with the exhibition, is the book America published by Divus. This double book box set contains more than 500 pages of rare, limited and out of print cartoons, drawings and paintings with introductory essays by Neil Gaiman, Marisol Rodriguez and Mike Hunchback. Much of Diana’s work portrays outsiders repeatedly being punished by the unforgiving nature of their surroundings; where the sensitive types are gang raped, tortured, dismembered, pissed upon and left for dead. Drawing parallels with the Franz Kafka book of the same title wherein oppressive and intangible systems force scorned individuals to plead their innocence in front of remote and mysterious figures of authority . . .
Neil Gaiman on Mike Diana:
MD’s work is powerful, upsetting, offensive, and sometimes unpleasant. His style is simple, primal, and dangerous: like EC Comics retold for today by Gary Panter. But there‘s an honesty to Mike‘s work that has always made me want to read it, even when it disturbs me. Art should afflict the comfortable and disturb the complacent, and Mike Diana‘s work does that in spades. He‘s been arrested for his art, he‘s been sentenced for his art, and a local police force was even charged to make 24 hour random raids and spot-checks on Mike‘s living space, to make sure he wasn‘t committing art in secret.
More about Mike Diana:
Article about Mike Diana in Vice
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